Let’s start with the Nudie suits. When the band sported them in 1969 for the album cover of Gilded Palace of Sin, the Ukrainian-born, Hollywood-based tailor Nudie Cohn had by then outfitted at least half of the country stars who had graced the stage of the Grand Ole Opry with his elaborate embroidered and rhinestone-studded suits. By 1969, rhinestones, spotlights, and country music were indelibly linked. Like the rap industry of today, the country-music industry was, then and always, about glitz and fame. It was about making it past your poor roots and becoming a star. As the rap industry is about escaping the projects, the country-music industry was about escaping rural America. Country was about gold records, large shiny belt buckles, seeing your name in the marquee lights.